Holobiontic Encounters (AI-generated image curated by author) TABLE OF CONTENTS 1. Introduction 1.1 Structure of the Essay 1.2 The Core of Philosophical Anthropology Listed as Four Basic Points 2. Theorizing the Tension of Being 3. Responsivity as an Anthropological Concept 4. Philosophical Anthropology for Shifting Times 4.1 Centralizing Relations (Point I) 4.2 Anthropology and Chronicling … [continue reading]

Holobiontic Encounters (AI-generated image curated by author) TABLE OF CONTENTS 1. Introduction 1.1 Structure of the Essay 1.2 The Core of Philosophical Anthropology Listed as Four Basic Points 2. Theorizing the Tension of Being 3. Responsivity as an Anthropological Concept 4. Philosophical Anthropology for Shifting Times 4.1 Centralizing Relations (Point I) 4.2 Anthropology and Chronicling … [continue reading]

Holobiontic Encounters (AI-generated image curated by author) TABLE OF CONTENTS 1. Introduction 1.1 Structure of the Essay 1.2 The Core of Philosophical Anthropology Listed as Four Basic Points 2. Theorizing the Tension of Being 3. Responsivity as an Anthropological Concept 4. Philosophical Anthropology for Shifting Times 4.1 Centralizing Relations (Point I) 4.2 Anthropology and Chronicling … [continue reading]

Holobiontic Encounters (AI-generated image curated by author) TABLE OF CONTENTS 1. Introduction 1.1 Structure of the Essay 1.2 The Core of Philosophical Anthropology Listed as Four Basic Points 2. Theorizing the Tension of Being 3. Responsivity as an Anthropological Concept 4. Philosophical Anthropology for Shifting Times 4.1 Centralizing Relations (Point I) 4.2 Anthropology and Chronicling … [continue reading]

Still from Gesaffelstein’s video clip for their song “Hard Dreams.” Dir. J. Hemingway/Division, J. de Chateleux, 2024 TABLE OF CONTENTS 1. Introduction 2. Three Central Questions 3. Reflection and its Limits: A Historical Sketch 4. The Refractive Element 5. Conclusion: Refraction and Thinking as a Field of Action The essay below has been published in … [continue reading]

Still from Gesaffelstein’s video clip for their song “Hard Dreams.” Dir. J. Hemingway/Division, J. de Chateleux, 2024 TABLE OF CONTENTS 1. Introduction 2. Three Central Questions 3. Reflection and its Limits: A Historical Sketch 4. The Refractive Element 5. Conclusion: Refraction and Thinking as a Field of Action The essay below will be published in … [continue reading]

Still from Gesaffelstein’s video clip for their song “Hard Dreams.” Dir. J. Hemingway/Division, J. de Chateleux, 2024 TABLE OF CONTENTS 1. Introduction 2. Three Central Questions 3. Reflection and its Limits: A Historical Sketch 4. The Refractive Element 5. Conclusion: Refraction and Thinking as a Field of Action The essay below will be published in … [continue reading]

Still from Gesaffelstein’s video clip for their song “Hard Dreams.” Dir. J. Hemingway/Division, J. de Chateleux, 2024 TABLE OF CONTENTS 1. Introduction 2. Three Central Questions 3. Reflection and its Limits: A Historical Sketch 4. The Refractive Element 5. Conclusion: Refraction and Thinking as a Field of Action The essay below will be published in … [continue reading]

TABLE OF CONTENTS 1. Introduction 2. Gestures Towards the Subject of Design 3. Gestures as Agents of Change: Four Remarks 4. From Landscape to Handscape 5. Discussion: Mimetic Awareness and Meaning 6. Conclusion The essay that follows has been published in four installments; this installment, the fourth, contains sections 5 and 6, and also the … [continue reading]

TABLE OF CONTENTS 1. Introduction 2. Gestures Towards the Subject of Design 3. Gestures as Agents of Change: Four Remarks 4. From Landscape to Handscape 5. Discussion: Mimetic Awareness and Meaning 6. Conclusion The essay that follows will be published in four installments; this installment, the third, contains section 4. But you can also download … [continue reading]