TABLE OF CONTENTS I. Introduction II. Why Singulars? III. The Singular and the Particular IV. Singularization and Architectural Science V. Conclusion BIBLIOGRAPHY This is the second of four installments, and contains section II. II. Why Singulars? I define a singular event in the world as an event that by necessity can only occur once. Its … [continue reading]

You can download and read or share a complete .pdf of this essay HERE. Why You Should Never Sleep On The Public Sidewalks Once upon a time, in a faraway land, a man was sleeping on a public sidewalk because he was homeless, and it was hot, and he was very tired. POLICE: Hey you, … [continue reading]

TABLE OF CONTENTS I. Introduction II. Why Singulars? III. The Singular and the Particular IV. Singularization and Architectural Science V. Conclusion BIBLIOGRAPHY This is the first of four installments, and contains section I. I. Introduction What kind of science could an architectural science (Architekturwissenschaft) be? This question may already be complex, but even before proceeding … [continue reading]

TABLE OF CONTENTS I. Introduction II. Definitions III. Why Rethink Affinity? IV. Nishida and the Unity of Experience V. Affinity, Sensibility and Expression VI. Conclusion This is the fifth and final installment of this series, and contains sections V and VI. V. Affinity, Sensibility and Expression If “reflecting itself in itself” is the universal formula … [continue reading]

TABLE OF CONTENTS I. Introduction II. Definitions III. Why Rethink Affinity? IV. Nishida and the Unity of Experience V. Affinity, Sensibility and Expression VI. Conclusion This is the fourth of five installments, and contains section IV. IV. Nishida and the Unity of Experience If there is a recurring theme that runs as a single thread … [continue reading]

TABLE OF CONTENTS I. Introduction II. Definitions III. Why Rethink Affinity? IV. Nishida and the Unity of Experience V. Affinity, Sensibility and Expression VI. Conclusion This is the third of five installments, and contains section III. III. Why Rethink Affinity? If we take Kant’s notion of affinity at face value, then we must conclude that … [continue reading]

[I] was then making plans for a work that might perhaps have the title, “The Limits of Sense and Reason.” I planned to have it consist of two parts, a theoretical and a practical. The first part would have two sections, (1) general phenomenology and (2) metaphysics, but this only with regard to its method. … [continue reading]

TABLE OF CONTENTS I. Introduction II. Definitions III. Why Rethink Affinity? IV. Nishida and the Unity of Experience V. Affinity, Sensibility and Expression VI. Conclusion This is the second of five installments, and contains section II. II. Definitions Sensibility Sensibility (Sinnlichkeit) is “[t]he capacity (receptivity) to acquire representations through the way in which we are … [continue reading]

TABLE OF CONTENTS I. Introduction II. Definitions III. Why Rethink Affinity? IV. Nishida and the Unity of Experience V. Affinity, Sensibility and Expression VI. Conclusion This is the first of five installments, and contains section I. I. Introduction While the philosophy of Immanuel Kant deals nowhere explicitly with the concept of creativity, nevertheless he emphasizes … [continue reading]

This long essay, “A Theory of Human Dignity,” presents and defends a general theory of human dignity, with special attention paid to spelling out its background metaphysics, formulating and justifying a basic set of dignitarian moral principles, and critically addressing hard cases for the theory. “A Theory of Human Dignity” is being made available here … [continue reading]